There will come a Christian by, Will be worth a Jewess’ eye.

The Merchant of Venice: “There will come a Christian by, Will be worth a Jewess’ eye.”

In William Shakespeare’s renowned play “The Merchant of Venice,” the character Launcelot Gobbo delivers the line, “There will come a Christian by, Will be worth a Jewess’ eye.” This seemingly innocuous remark, uttered in a moment of jest, encapsulates the complex themes of desire, identity, and societal prejudice that permeate the play. In this article, we will delve into the meaning of this quote within its context, analyze its literary significance, explore the historical backdrop of the play, and reflect on its relevance to contemporary society.

Context and Meaning

The quote appears in Act II, Scene 5, during a conversation among Shylock, Launcelot, and Jessica. Shylock, a Jewish moneylender, is preparing to leave for a dinner, expressing his disdain for the Christian revelers. Launcelot, Shylock’s servant, playfully suggests that a Christian passing by will be attractive enough to catch Jessica’s eye, subtly awakening themes of attraction and loyalty amidst the tensions between Jews and Christians in the play.

Here, Launcelot’s comment reflects more than just a light-hearted jest. It underscores Jessica’s internal conflict: she feels trapped in her father’s house and yearns for freedom, which she equates with love and acceptance from a Christian suitor. This desire to escape her father’s oppressive household highlights the clash of cultures and the allure of the ‘other,’ as Jessica contemplates her relationship with the Christian Bassanio, who represents both romantic love and social acceptance.

Literary Devices and Language

Shakespeare’s use of a simple couplet in Launcelot’s line is notable for its brevity and wit. The phrase “worth a Jewess’ eye” plays on the duality of value and desirability, linking Jessica’s perception of worth with her cultural identity. The word “worth” suggests an inherent value that transcends mere physical attraction, hinting at the complexities of love that is interwoven with social status and religious identity.

Moreover, the juxtaposition of “Christian” and “Jewess” serves to highlight the societal divides that define the characters’ interactions. This contrast not only illustrates the characters’ positions within Venetian society but also foreshadows the tensions that will arise as the play unfolds.

Historical Context

“The Merchant of Venice,” written in the late 16th century, is set against a backdrop of rising anti-Semitism in Europe. Jews had been expelled from England in 1290, and by Shakespeare’s time, they were often viewed with suspicion and prejudice. The character of Shylock embodies these societal tensions, as he navigates a world that marginalizes him for his faith. Launcelot’s comment reflects the broader societal attitudes towards Jews and Christians, highlighting the complexities of interfaith relationships during a time when such unions were fraught with peril and societal condemnation.

Themes and Reflections on Human Nature

The themes encapsulated in this quote resonate throughout the play, particularly the exploration of love, identity, and the nature of worth. Launcelot’s jest hints at a longing for connection that transcends religious divisions, a sentiment echoed in Jessica’s own desires. Shakespeare masterfully illustrates the human condition—our desires, aspirations, and the societal pressures that often dictate our choices.

In a larger sense, this quote invites reflection on the nature of attraction and the societal constructs that influence it. It compels modern audiences to consider how cultural and religious differences still shape relationships today, and how the pursuit of love often challenges societal norms.

Contemporary Relevance

In today’s world, where discussions about identity, belonging, and the intersections of culture and love are more relevant than ever, Launcelot’s remark can be seen as a commentary on the ongoing struggles individuals face when navigating personal desires against societal expectations. The quest for acceptance, love, and belonging remains a universal theme that transcends time, resonating with anyone who has ever felt marginalized or constrained by their identity.

Conclusion

The line “There will come a Christian by, Will be worth a Jewess’ eye,” encapsulates the intricate web of desire, identity, and societal prejudice that defines “The Merchant of Venice.” Through a blend of humor and insight, Shakespeare reveals the complexities of human relationships and the societal constructs that shape them. This quote invites us to reflect not only on the historical context of the play but also on its enduring relevance to contemporary issues of love, identity, and acceptance. As we navigate our own societal landscapes, we are reminded of the timeless nature of Shakespeare’s exploration of the human experience, where desire often clashes with cultural boundaries, and love seeks to bridge the divide.

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Selected Text Explanation

Passage Summary

The passage is from William Shakespeare's play "The Merchant of Venice," specifically Act 2, Scene 5, featuring Shylock, a Jewish moneylender, and his servant Launcelot, along with Shylock's daughter Jessica. This scene encapsulates themes of identity, cultural conflict, and the complexities of familial relationships.

In this excerpt, Shylock expresses a mixture of resentment and concern as he prepares to leave his home for a supper to which he feels unwelcome, indicating a deep-seated animosity towards the Christian community, particularly towards Bassanio, who represents the Christian values and camaraderie that Shylock is often excluded from. His reference to "feeding upon the prodigal Christian" reveals his bitterness and foreshadows the tensions between the Jewish and Christian characters in the narrative.

Jessica's presence introduces the theme of familial discord; Shylock's protective nature towards his daughter contrasts with her desire for freedom and love, which she seeks outside her father's world. Shylock's warnings to Jessica about the dangers of the outside world underscore his isolation and the societal divisions of the time.

Launcelot's comic interjections provide levity but also highlight the social dynamics at play. His remarks about the festivities and the potential for a masque suggest a world of merriment that is starkly different from Shylock's somber existence. The mention of his bleeding nose and the superstitious undertones contribute to the atmosphere of foreboding that permeates the scene.

Overall, this passage is significant as it establishes Shylock's character as a complex figure who embodies both the victim of societal prejudice and the antagonist in the eyes of the Christian characters. It raises questions about loyalty, identity, and the nature of belonging, setting the stage for the unfolding drama of love, betrayal, and revenge that characterizes the play.

Original Passage

Select any part of the passage to receive an explanation:

Enter Shylock. the Jew and
Launcelet. his man that was the clown.


SHYLOCK.
Well, thou shalt see, thy eyes shall be thy judge,
The difference of old Shylock and Bassanio.—
What, Jessica!—Thou shalt not gormandize
As thou hast done with me;—What, Jessica!—
And sleep, and snore, and rend apparel out.
Why, Jessica, I say!



LAUNCELET.
Why, Jessica!



SHYLOCK.
Who bids thee call? I do not bid thee call.



LAUNCELET.
Your worship was wont to tell me I could do nothing without bidding.


Enter Jessica. .


JESSICA.
Call you? What is your will?



SHYLOCK.
I am bid forth to supper, Jessica.
There are my keys. But wherefore should I go?
I am not bid for love, they flatter me.
But yet I'll go in hate, to feed upon
The prodigal Christian. Jessica, my girl,
Look to my house. I am right loath to go;
There is some ill a-brewing towards my rest,
For I did dream of money-bags tonight.



LAUNCELET.
I beseech you, sir, go. My young master doth expect your reproach.



SHYLOCK.
So do I his.



LAUNCELET.
And they have conspired together. I will not say you shall see a masque, but if
you do, then it was not for nothing that my nose fell a-bleeding on Black
Monday last at six o'clock i' th' morning, falling out that
year on Ash-Wednesday was four year in th' afternoon.



SHYLOCK.
What, are there masques? Hear you me, Jessica,
Lock up my doors, and when you hear the drum
And the vile squealing of the wry-neck'd fife,
Clamber not you up to the casements then,
Nor thrust your head into the public street
To gaze on Christian fools with varnish'd faces,
But stop my house's ears, I mean my casements.
Let not the sound of shallow fopp'ry enter
My sober house. By Jacob's staff I swear
I have no mind of feasting forth tonight.
But I will go. Go you before me, sirrah.
Say I will come.



LAUNCELET.
I will go before, sir.
Mistress, look out at window for all this.
    There will come a Christian by
    Will be worth a Jewess' eye.


[[ExitLauncelet.] ]

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