The Merchant of Venice: “Come on, Nerissa, I have work in hand that you yet know not of; we’ll see our husbands before they think of us.”
In William Shakespeare’s *The Merchant of Venice*, the character Portia utters the intriguing line, “Come on, Nerissa, I have work in hand that you yet know not of; we’ll see our husbands before they think of us.” This quote, rich with layers of meaning, encapsulates the themes of disguise, agency, and the complexity of gender roles that permeate the play. As we delve into this moment, we uncover not only its significance within the narrative but also its broader implications in the context of Shakespearean literature and contemporary society.
Contextual Meaning
The quote arises in the latter part of the play when Portia and her maid Nerissa are preparing to return to Venice after successfully outsmarting the male characters. Disguised as a lawyer and a clerk, respectively, they have just proven their wit and intelligence in the courtroom, thereby asserting their agency in a patriarchal society. The phrase “work in hand that you yet know not of” hints at Portia’s clever and premeditated plans. It suggests a sense of mystery and intrigue, as she orchestrates a scheme that will allow them to confront their husbands before they realize the true identities of the women they love.
Literary Devices and Language
Shakespeare employs several literary devices in this quote, most notably foreshadowing and irony. The phrase “work in hand” suggests an active engagement in a plot, while the use of “before they think of us” creates an ironic tension; the husbands believe they are in control, yet Portia and Nerissa are the ones pulling the strings. The playful tone of the dialogue between Portia and Nerissa is characterized by an underlying confidence and wit that highlights the cunning nature of both women. By playfully betting on who will appear the more attractive in disguise, Portia not only demonstrates her self-assuredness but also critiques societal standards of masculinity and femininity.
Historical Context
*The Merchant of Venice* was written in the late 16th century, a time when the roles of women were largely restricted to the domestic sphere. Portia’s actions challenge these conventions, showcasing her intelligence and autonomy. Historically, women had few rights and were often viewed through the lens of their relationships with men. Portia subverts this reality by taking on a male persona, thus allowing her to navigate a world dominated by men. This act of cross-dressing not only provides a comedic element but also serves as a commentary on the fluidity of gender roles, a topic that continues to resonate in contemporary discussions about identity.
Themes and Broader Implications
The themes of disguise, deception, and the nature of love are central to *The Merchant of Venice*, and this quote encapsulates these ideas beautifully. Portia and Nerissa’s plan to see their husbands incognito speaks to the theme of love’s complexity; it suggests that true love is based on understanding and recognition, rather than mere appearances. Moreover, their ability to manipulate the situation reflects the ongoing struggle for female autonomy in a world that often seeks to suppress it.
The quote also resonates with Shakespeare’s broader oeuvre, where the interplay between appearance and reality frequently surfaces. In plays such as *Twelfth Night* and *As You Like It*, characters don disguises to explore their identities and desires. This recurring motif invites audiences to reflect on the nature of self and the societal constructs that shape our interactions.
Modern Interpretations and Relevance
In contemporary society, the themes encapsulated in Portia’s quote remain relevant. The idea of women asserting their independence and challenging traditional gender roles is a pressing topic today. Many modern interpretations of *The Merchant of Venice* highlight the importance of female empowerment, often reimagining Portia and Nerissa as figures of strength and resilience. The quote invites us to consider how women continue to navigate complex societal expectations and assert their agency in an often patriarchal world.
Conclusion
Portia’s declaration, “Come on, Nerissa, I have work in hand that you yet know not of; we’ll see our husbands before they think of us,” is a powerful moment in *The Merchant of Venice* that encapsulates the play’s exploration of gender, identity, and love. Through clever wordplay and rich thematic content, Shakespeare invites us to question societal norms and consider the complexities of human relationships. As we reflect on this quote, we are reminded of the timeless nature of Shakespeare’s work and its ability to resonate with contemporary audiences, encouraging us to engage with the ongoing discourse surrounding gender and agency in our own lives.
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Passage Summary
In this passage from Shakespeare's *The Merchant of Venice*, we encounter a lively exchange between Jessica and Portia, followed by a significant scene involving Portia and her confidante, Nerissa. The dialogue opens with Jessica expressing a heartfelt wish for Portia's happiness, which Portia reciprocates. This moment of camaraderie highlights themes of friendship and loyalty, as the two women acknowledge their bond before Jessica exits with Lorenzo.
The focus then shifts to Portia's urgent instructions to Balthazar, who is tasked with delivering a letter to Doctor Bellario in Padua. This part of the passage underscores themes of agency and determination, showcasing Portia's resourcefulness and her active role in the unfolding events. Her desire to ensure the swift delivery of the letter indicates the importance of communication and alliance-building in the narrative.
As Balthazar departs, Portia reveals her intentions to disguise herself and Nerissa as young men in order to outwit their husbands, who are unaware of their plans. This decision introduces themes of gender roles and identity. Portia’s playful confidence in her ability to embody masculinity suggests a subversion of traditional gender expectations. Her humorous musings about adopting the behaviors and bravado of young men illustrate the fluidity of identity and the performative aspects of gender.
The passage culminates in a sense of anticipation and adventure, with Portia and Nerissa preparing to embark on a journey that promises both deception and revelation. Portia's playful banter about the lies she could tell and her eagerness to "practice" her new persona reflect a deeper commentary on the nature of truth and appearance, a recurring theme throughout the play.
Overall, this passage encapsulates the essence of *The Merchant of Venice*, intertwining friendship, deception, and the exploration of identity within the context of love and loyalty. Portia emerges as a shrewd and dynamic character, poised to challenge societal norms while navigating the complexities of her relationships.
Original Passage
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I wish your ladyship all heart's content.
PORTIA.
I thank you for your wish, and am well pleas'd
To wish it back on you. Fare you well, Jessica.
[[ExeuntJessicaandLorenzo.] ]
Now, Balthazar,
As I have ever found thee honest-true,
So let me find thee still. Take this same letter,
And use thou all th' endeavour of a man
In speed to Padua, see thou render this
Into my cousin's hands, Doctor Bellario;
And look what notes and garments he doth give thee,
Bring them, I pray thee, with imagin'd speed
Unto the traject, to the common ferry
Which trades to Venice. Waste no time in words,
But get thee gone. I shall be there before thee.
BALTHAZAR.
Madam, I go with all convenient speed.
[[Exit.] ]
PORTIA.
Come on, Nerissa, I have work in hand
That you yet know not of; we'll see our husbands
Before they think of us.
NERISSA.
Shall they see us?
PORTIA.
They shall, Nerissa, but in such a habit
That they shall think we are accomplished
With that we lack. I'll hold thee any wager,
When we are both accoutered like young men,
I'll prove the prettier fellow of the two,
And wear my dagger with the braver grace,
And speak between the change of man and boy
With a reed voice; and turn two mincing steps
Into a manly stride; and speak of frays
Like a fine bragging youth; and tell quaint lies
How honourable ladies sought my love,
Which I denying, they fell sick and died;
I could not do withal. Then I'll repent,
And wish for all that, that I had not kill'd them.
And twenty of these puny lies I'll tell,
That men shall swear I have discontinued school
About a twelvemonth. I have within my mind
A thousand raw tricks of these bragging Jacks,
Which I will practise.
NERISSA.
Why, shall we turn to men?
PORTIA.
Fie, what a question's that,
If thou wert near a lewd interpreter!
But come, I'll tell thee all my whole device
When I am in my coach, which stays for us
At the park gate; and therefore haste away,
For we must measure twenty miles today.
[[Exeunt.] ]
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